Characters are digitally painted, assembled and textured in Photoshop, using images from the film as reference. I used stock photos of ink in water for the blood.
I’d seen Laura’s lovely work on a few sites and sought her out. She captured the complete aesthetic of the film, taking into account the titles and the cinematography. The end result is a poster that lives in the world of the film; foreboding, explosive and threatening. She was an absolute pleasure to work with and I can’t wait to do it again.
—Dylan Sanford, director and producer.